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May 16, 2013
POP CULTURE: Concert Review: The Killers at Madison Square Garden
Checking off the top act remaining on my current "gotta see live" list, I went with my wife to see The Killers in concert at Madison Square Garden Tuesday night. While there were a few bumps in the road, on the whole the show was a reminder of why they are possibly the best rock band still in their prime today.
I've previously described The Killers as "[t]he best young (under-40) rock band, period" - the main competition right now being Grace Potter & the Nocturnals - and their 2006 album Sam's Town is arguably the best album of the last 15 years, so I was eager to get to see them live while they're still at the top of their game, ten years into their career and touring in support of their fourth studio album. Lead singer Brandon Flowers is 31, and the rest of the band is in their mid-30s; Flowers and drummer Ronnie Vannucci released solo projects before their latest album came out, Flowers with a solo album (Flamingo) and Vannucci with his own band, Big Talk (Big Talk). The concert had originally been scheduled for a Friday night in December, but was cancelled when Flowers came down with laryngitis, so our wait for this show had been a long one.
MSG is generally regarded as a great arena to see a show - it's not as scenic as Jones Beach, as perfect acoustically as Radio City or as impressive as a stadium show, and it's very loud, but for its size it's a good venue. And, of course, given the proximity to Penn Station it's about the easiest concert venue there is to access by mass transit.
I would estimate that the bulk of the crowd was in the mid-20s to early 30s range, which would be people who were in high school or college when the band hit it big almost a decade ago; there were a fair number of people around my age (41) or a little older, but few of the fifty/sixtysomethings you'd see at, say, a Bruce Springsteen concert. There were clearly some college kids but I did not see a whole lot of teenagers, perhaps unsurprisingly given that the band's current album, Battle Born - their only studio album since 2008 - hasn't sold especially well in the U.S. compared to their prior albums or received a ton of radio attention. Every single person I saw at the show was white, a fact that speaks to rock's demographic problem going forward. There was a fair amount of singing along, and the first few rows of general admission in front of the stage were a fist-pumping lot, but otherwise it was your basic crowd of adults on a Tuesday night. A number of people near us bailed out during the last song to head downstairs, presumably to catch trains at Penn Station. On the other hand, this was the first show I've been to in a while where there was really a lot of noticeable pot smoke around us, and on the way out two guys near us started jawing and came to blows.
The opening act - originally planned to be Tegan and Sara when the show was first scheduled - ended up being a New York-based band called The Virgins, and their opening set must have been short; the official start time was 8, my wife and I arrived at 8:30 from an event at my son's high school and they'd finished their set already. The Killers went on at 9:10, and played until a little after 11pm.
The show opened with an unusual twist compared to most of the concerts I've seen: The Killers just walked onstage without fanfare with the house lights still on and launched right into an energetic rendition of 'Mr. Brightside', their biggest radio hit and still arguably their best-known song. Playing with the house lights on made the Garden feel less like The World's Most Famous Arena and more like an oversized high school gym, all the better to foster a little less distance between the band and the fans.
The second song was 'Spaceman', and that was one of two songs on the night - the other being 'Somebody Told Me', much later in the set - that had real audio problems, as there was a lot of rumbling feedback that made it difficult to hear Flowers' vocals. 'Spaceman' has a lot of electronic background production on the album, and I suspect perhaps there was a backing track playing along with the band on those two songs that didn't work all that well. But the sound problems wouldn't be an issue for the rest of the show, as vocals and instruments were both crisply audible.
The set also seemed a bit minimalist at first for a band that's always put a lot of thought into its music videos and other visuals, aside from the band's lightning-bolt logo front and center; the one video screen was mounted behind the stage and a bit hard to see from further up. But the laser light show worked well for 'Shadowplay' and the fireworks and confetti as the show reached its conclusion were good visual touches.
Flowers talks less between songs than most frontmen; after an early apology for cancelling the original concert date, it was pretty late in the show before there was a break between songs at all, although he did introduce the extremely Springsteenish 'Dustland Fairytale' with a little talk about growing up in Vegas and 'When You Were Young' by talking about being nervous recording a followup to Hot Fuss. There were two other musicians besides the 4-man band onstage, and he completely failed to mention them when introducing the band midway through the show, and ended up re-introducing everybody during the last song.
Flowers' quavery, emotional voice isn't really the type that you'd expect to hold up well in concert, but after a bit of a rushed start over the first two songs, he was solid and about 95% of how he sounds in the studio. He's exceptionally skinny - the man has the lower body of a 15 year old - and his stage presence is that of a teenager performing alone in his room with the stereo cranked to 11; rather than try to control his nervous energy, he just channels it into his performance, hopping on and off the risers at the end of the stage and exhorting everybody to clap and sing along with him. He demanded that the fans forget it's Tuesday and put on their dancing shoes for 'From Here On Out', a rockabilly number from the latest album that is fun but not really something you could dance to.
Musically, there were not a lot of departures in how the band played their songs, unlike a band like Grace Potter & the Nocturnals that leaves a lot of room in the setlist for extended jams; seeing how sharply executed their songs were and how closely they hewed to the studio versions was a reminder of quite how tightly constructed The Killlers' songs really are. They just seem to have put too much thought into every note of the melodies already to mess with them. Vannucci's drums are the real driving force behind most of their songs, but Dave Keuning's guitar work is just remarkably precise. (Bassist Mark Stoermer has the low-key role, as bassists usually do).
Overall, the 20-song setlist was pretty evenly divided and reflected the astonishing depth of quality music for a band with 4 studio albums: 5 songs from their 2004 debut Hot Fuss, 4 from Sam's Town, 3 from 2008's Day & Age, and 5 from Battle Born, plus their cover of Joy Division's 'Shadowplay' from the 2007 Sawdust compilation and 2 covers. They couldn't hit every single one of their good songs ('Bones', for example, really requires a horn section), but they got close; my only real gripe with the setlist was the omission of the best song on Battle Born, the driving uptempo anthem rocker 'The Rising Tide,' while playing the less inspiring title track as a show-closer and the somewhat disappointing 'The Way It Was' as the third song of the show.
The more fun of the covers, which the band has been doing this tour, is one of my favorite guilty-pleasure pop hits of the 1980s, 'I Think We're Alone Now', originally by Tommy James and the Shondelles but more famously covered by Tiffany in 1987 - it's a pop song that resonates for my generation (I had just turned 16 when the song hit the airwaves, and it was sung by a 16-year-old singer, and they played it in such heavy rotation on Z100 at the time that you could hear it 3 times in an hourlong school bus ride), but I'm not sure how well-recognized it is by younger rock fans, let alone the Tommy James original (Flowers, with a nod to his own band's pervasive U2 influences, introduced the song by saying, "Tiffany stole this song from Tommy James and the Shondells. Tonight, we're stealing it back.").
The other cover was 'New York, New York,' which Flowers delivered well enough in the traditional tempo and arrangement. Which brings up an odd point about The Killers. Some of my favorite musicians - from Bruce Springsteen to the Irish band The Saw Doctors to pop star Kelly Clarkson - give off a strong sense of geographical rootedness, of being from and of a particular place (respectively the Jersey Shore, Galway and Mayo Counties in the West of Ireland, and Texas). The Killers are from Las Vegas, Nevada, and since Flowers discovered Springsteen before recording Sam's Town (named after a Vegas casino) he's made a point of making a lot of references to the band's home town, from the desert motifs of 'Dustland Fairytale' and 'Don't Shoot Me Santa Claus' to 'Battle Born' (named for the Nevada state motto) to his solo track 'Welcome to Fabulous Las Vegas'. In the intro to 'New York, New York' and 'Dustland Fairytale,' Flowers seemed intent on talking up New York (partly, no doubt, in an effort to flatter the local audience) and about how "if you can make it here, you can make it anywhere" is a lot more inspiring than "what happens in Vegas, stays in Vegas." Something in that echoed one of the (fair) criticisms I've seen of Flowers' recent writing: that he may be from Vegas but he's not really of Vegas and doesn't really get the city's gamblers-and-stale-booze culture. He is, after all, a Mormon family man, and his favorite band growing up was the Pet Shop Boys, an influence you can hear in Hot Fuss, an album that sounds more English than American and has no references at all to Vegas or Nevada. As earnest as they are, Flowers' efforts to claim his home town always seem a little forced, forced in the same way as singing 'New York, New York' just because you're in New York.
With a touring hiatus and half the band making solo albums before they reuinted for Battle Born, and then the less smashing commercial performance of the album, fans of The Killers can be excused for worrying if their future as a band may be a little uncertain. Battle Born itself might have benefitted if a few of the weaker songs had been replaced by the best songs on Flowers' and Vannucci's solo albums. Even the crowd did not seem all that into the new material beyond the two singles, 'Runaways' and 'Miss Atomic Bomb' (the latter is a ballad, and while it's grown on me, we saw in the ballads on Battle Born why The Killers have rarely recorded ballads). But for now, in concert, they remain at the peak of their game, playing both the old and new material with enthusiasm and skill. It's a very fun show and very much worth seeing if you care about rock & roll.
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For what it's worth, this was the 21st concert I've attended; here's the full list of the rest:
1-Billy Joel, Worcester Centrum (Storm Front tour December 9, 1989) (no opening act).
2-Tom Petty, Worcester Centrum (Full Moon Fever "Strange Behavior" tour February 7, 1990) (opening act: Lenny Kravitz).
3-Billy Joel, Giants Stadium (Storm Front tour August 1990) (no opening act).
4-Rush, Worcester Centrum (Roll the Bones tour, December 10, 1991) (believe the opening act was Eric Johnson).
5-Meatloaf, Holy Cross College (May 1992) (free concert on campus; no opening act I can recall).
6-U2, Yankee Stadium (Achtung Baby "Zoo TV" tour, August 29, 1992) (opening acts: Primus and the Disposable Heroes of Hiphoprisy).
7-Bruce Springsteen, Boston Garden (Human Touch/Lucky Town tour, December 14, 1992) (no opening act; closed with a duet with Peter Wolf of the J. Geils Band).
8-Billy Joel, Nassau Coliseum (River of Dreams tour - looking back at tour dates this was probably January 6, 1994) (no opening act).
9-Rolling Stones, Giants Stadium (Voodoo Lounge tour, August 1994) (opening act: Counting Crows).
10-Harry Connick Jr., Jones Beach (She tour, summer 1994) (no opening act I can recall).
11-Bruce Springsteen & the E Street Band, Giants Stadium (Reunion tour August 1999) (no opening act).
12-U2, Madison Square Garden (All That You Can't Leave Behind "Elevation" tour, June 17, 2001) (opening act: PJ Harvey).
13-Bruce Springsteen & the E Street Band, Giants Stadium (Rising tour July 2003) (no opening act).
14-Saw Doctors, Irving Plaza, Manhattan (March 14, 2003; reviewed briefly here) (opening act: ex-band member Padraig Stevens).
15-Saw Doctors, Hammerstein Ballroom, Manhattan (March 20, 2004) (no opening act I can recall).
16-Kelly Clarkson, Hammerstein Ballroom (October 6, 2009) (opening acts: Parachute and Eric Hutchinson; reviewed here).
17-Saw Doctors, Irving Plaza (May 14, 2010) (opening act: former Smithereens frontman Pat Dinizio; reviewed here).
18-Maroon 5, Jones Beach (August 11, 2010) (opening acts: VV Brown and Owl City; reviewed here).
19-Grace Potter & The Nocturnals, Irving Plaza (March 10, 2011) (opening act, which I missed: Belle Brigade; reviewed here).
20-Kelly Clarkson, Radio City Music Hall, January 21, 2012 (opening act: Matt Nathanson; reviewed here).
-John Cafferty & the Beaver Brown Band, Holy Cross College, spring 1993 (I also saw the part of a show by the Mighty Mighty Bosstones at HC, who later went on to become a slightly well-known national act).
-Bruce Springsteen & the E Street Band, the Today Show at Rockefeller Center, September 28, 2007 (reviewed here).
-Kelly Clarkson, the Today Show at Rockefeller Center, October 25, 2011.
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May 13, 2013
POLITICS: PPP on the Brown-Warren Senate Race: A Polling Post-Mortem
Polls are back in the news, with the release of four public polls and an internal Gabriel Gomez campaign poll in the June 25 Massachusetts special Senate election to replace John Kerry. 3 of the 4 public polls show Ed Markey with a distinct but still surmountable lead, an average of 6 points; the fourth shows him up by 17 and looks like an outlier, adding 2.7 points by itself to Markey's lead in the RCP average. The Gomez campaign's internal poll shows Markey by 3; if you use the general rule of thumb that a campaign conducts multiple internal polls and will only release its most favorable internal, that's consistent with this currently being a 5-7 point race. Which is not a bad place for a Republican to be in Massachusetts five weeks before the election - it gives Gomez a puncher's chance in a special election - although you'd clearly still put better than 50/50 odds on Markey.
The closest public poll so far was put out by progressive Democratic pollsters PPP; its first poll of the race has Markey up by 4, 44-40. Let's take a look at how PPP polled the last Senate race in Massachusetts, the 2012 race between Scott Brown and Elizabeth Warren, which Warren ultimately won 54-46. That race may be less predictive of this one than the 2010 special election between Brown and Martha Coakley (in which PPP was one of the more reliable pollsters), but it's interesting as an exercise in examining how PPP samples the electorate.
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PPP v Rasmussen
PPP is one of two national pollsters - the other being Rasmussen - to publish regular statewide polls across the country, and that frequency in and of itself has made both pollsters into major players in public polling. At the moment, PPP is riding high, having posted a better record in 2012 than Rasmussen, while Rasmussen (who did some polling for Republicans in the past and retains a presence in conservative media) had built its reputation in better years for the GOP like 2002 and 2004. There's a chicken-and-egg question in there, as to whether pollsters with something of a partisan tilt are just getting lucky in years when the electorate favors their side; as I noted in my November post-mortem, the stricter likely-voter screens of pollsters like Rasmussen worked better in the turnout environments of 2002 and 2004, while PPP's looser screen better approximated turnout in 2012.
For an example of a race that Rasmussen polled much better than PPP, consider the 2010 North Carolina Senate race between Richard Burr and Elaine Marshall. PPP is based in North Carolina and closely tied to that state's Democratic Party; I have no idea whether it was doing non-public polling for the Marshall campaign, but its polls were clearly less favorable for Burr than Rasmussen or other pollsters. PPP conducted 11 of the 30 polls taken in 2010 that were included in the RCP average. 7 of those 11 polls showed Burr polling below 45%, including two that had him below 40%; only 3 of the other 19 polls conducted by other pollsters showed Burr below 45% at any point in the race. 8 of PPP's 11 polls had Burr with a single-digit lead; only 4 of the other 19 did. Between September 8 and October 25, the race was polled 8 times; the two PPP polls in that period showed Burr leading 49-36 and 48-40, while the other six polls all showed a lopsided race, with an average result of Burr 52, Marshall 35. PPP's final poll suddenly got with the program (Burr 52, Marshall 40), and the race ended Burr 55, Marshall 43. You can see in this graph the PPP and Rasmussen polling of that race, which Rasmussen also polled 11 times in 2010:
PPP's polling single-handedly drove the coverage suggesting that Burr was vulnerable, it was out of step with the other pollsters, and it was flat-out wrong. PPP was hardly the first or last pollster to blow a race, of course; the point here is to identify an example of a race where Rasmussen's approach was clearly a lot more reliable guide to what was happening than PPP's. All pollsters require careful scrutiny if we are to use their work product as tools for advancing rather than obscuring our knowledge of elections, and the halo effect surrounding PPP after the 2012 election should not exempt it from that scrutiny.
As we have seen before, PPP's methodology for polling differs from that of Rasmussen and other pollsters; in lieu of likely-voter screens, Tom Jensen (who runs PPP) has described how he models the demographic composition of his polls:
Jensen conceded that the secret to PPP's success was what boiled down to a well informed but still not entirely empirical hunch. "We just projected that African-American, Hispanic, and young voter turnout would be as high in 2012 as it was in 2008, and we weighted our polls accordingly," he explained. "When you look at polls that succeeded and those that failed that was the difference." Given the methodological challenges currently confronting pollsters, those hunches are only going to prove more important. "The art part of polling, as opposed to the science part," Jensen said, "is becoming a bigger and bigger part of the equation in having accurate polls."
And those hunches can change over the course of a race - consider PPP's shifting estimate of the racial makeup of the Florida electorate in 2012, as compiled by Sean Davis:
As you can see, PPP dramatically shifted gears based on something starting in its October 14 poll, and that enabled it to get closer to the final result as reported by exit polling. The vagueness of Jensen's public explanations of his methodology suggest a man who is not really sharing his secret sauce. My guess - which I stress here is pure speculation in the absence of evidence, so I'm happy to be corrected by Jensen - is that PPP may have been doing non-public work for OFA or some other Democratic or liberal-interest-group client, and gathered information (maybe about OFA's superior turnout operation, maybe about non-public polls) that was not generally available, and modeled its polling assumptions around that. (There's nothing illegal or necessarily unethical about doing so, but if that's the case, it would suggest that public polling is more driven by non-public information than you might think). If that's how Jensen formed his assessments of the electorate, then we can assume that PPP's turnout-projection models will continue to be superior so long as Jensen has access to better-informed sources of non-public information than other pollsters (it's clear that in 2012, Democratic campaigns knew things about turnout that Republican campaigns didn't, and Republican campaigns did not know any things about turnout that Democratic campaigns didn't; one hopes this will not always be the case, as it plainly was not in 2004).
On the other hand, if we take Jensen at face value and assume he really is just guessing, then his guesses are as variable as those of any other reasonably well-informed pundit. The 2012 Massachusetts Senate race is just one of many case studies from which we can look at how PPP's shifting assumptions about turnout interacted with its polling.
Brown v Warren
PPP polled the Brown-Warren Senate race in polls released on August 21, September 16, October 12, and November 2. (I'm citing here the dates the polls were publicly released; PPP generally takes polls over the prior 3 days). Here's the topline result of those polls:
PPP showed Brown with a 5-point lead in August, at a time when Brown held about a 1-point lead overall in the RCP average - but according to PPP, the race shifted 7 points in Warren's direction in September, 4 more points in October, and 2 more into November. PPP's final result actually understated Warren's margin of victory by 2 points. What changed? In each case, I will compare PPP's internals to the exit polls.
The truck-driving Brown against the archetypically schoolmarmish Warren was a race tailor-made for a gender gap, and what is perhaps most striking about PPP's polling down the stretch run of this race is the sharp turn towards a female-dominated electorate:
The exit polls - assuming those are accurate, which is never really certain - suggest that PPP went overboard in projecting that the Massachusetts electorate would be 55-57% female in 2012, and the final poll understated the gender gap, which ended up closer to what PPP's October poll had estimated. That said, clearly the shift to more female voters in the sample had a measurable impact on Warren's support. For what it's worth, the current poll showing Markey up 4 also has a 55% female sample, although the gender gap is less pronounced (Markey leads 46-36 with women, Gomez leads 45-41 with men).
As it did in Florida, PPP started upping the non-white share of its sample in Massachusetts near the end of the race. But this time, it overshot the mark: the exit polls showed an electorate that was 14% non-white, lower than the 16-18% in PPP's polls from September-November.
A share of the vote that small is bound to be "noisier" - that is, there's a small-sample-size problem where it's harder to get enough non-white voters to poll them reliably if they're less than 20% of the people in your overall sample. While the trend in PPP's poll was a dramatic dropoff in Brown's non-white support, the actual numbers are just nuts: there's no way Brown went from leading among non-white voters with 47% of the vote in August to down 35 points in November to losing by 72 on Election Day. It's possible that there's some instability here among whether Hispanic voters were reporting themselves as white, but that result just doesn't make any sense at all.
Among white voters, PPP's final poll showed Brown pulling ahead for the first time since August, even as his overall standing was at its low ebb; the exit poll showed him winning white voters 51-49 but losing the race due to his poor standing with the remaining 14% of the electorate.
PPP's Gomez-Markey poll has an 84% white electorate with Gomez down 2 points among white voters (41-43), underperforming Brown but with a lot of undecideds, and 13 among non-white voters (36-47), a showing with non-white voters that's consistent with Brown's August-September polling but wildly inconsistent with the exit polls.
The other big dividing line in 2012 was the youth vote. Let's look at what PPP's poll sample looked like by age:
The number of 18-29 year olds answering the September 13-16 poll dropped in half from August and didn't recover until November - that could be the result of any number of anomalies, but I have to assume that it had something to do with it being the start of the college calendar (Massachusetts has an enormous proportion of college students). But even so, not one of PPP's polls matched the 19% under-30 turnout of the exit polls (bear in mind here, however, that younger voters may be more likely to answer exit polls). The youth-voter sample is, again, noisy - Warren was bleeding Brown's support among young voters into October, but PPP's final poll had Brown winning 50% of the under-30 vote; the exit polls had him lose it by 12 points.
(Note one other minor methodological discrepancy: PPP's use of an age 30-45 bracket, whereas the exit polls used a 30-44 bracket).
The Gomez-Markey poll had just 9% voters under 30, which may not be a bad estimate for a special election after the end of the college year, with Gomez down 40-33 among young voters.
The great polling debate of 2012 was weighting of polls by party ID and the corresponding importance of independent voters. Massachusetts is a strange animal: independents are traditionally close to half the electorate, while there are more than twice as many Democrats as Republicans. Most independents in Massachusetts are not closet Republicans, as the usual strength of statewide Democrats can tell you, but many are persuadable - and given the tiny number of self-identified Republicans, a Republican candidate needs to clean up in a large way with independents to win. Brown's support among independents never faltered in PPP's polls or the exit polling (although if both sets of polls are treated as credible, it would suggest that Warren corralled all the late-deciding independents), but the partisan polling shows a different story:
The October PPP poll oversampled Democrats and the August poll with Brown up 5 actually undersampled Republicans, but otherwise PPP's polls were fairly consistent in their partisan sampling for this race. But what PPP was reporting was a steady consolidation of Democrats behind Warren as she made the race more ideological and put the primary behind her. On the other hand, every PPP poll, especially the final one, understated Brown's support among his own party.
(By contrast, the self-reporting of voter ideology was about the one element that was very consistent month to month in PPP's polling, but I've never really put much stock in self-reported voter ID).
The Gomez-Markey poll had a D-heavy sample at the expense of independents, 41/17/42 D/R/I, with Gomez up 47-31 among independents, Gomez drawing 21% of Democrats and Markey drawing 17% of Republicans - all signs of a race the voters haven't really focused on yet.
The new conventional wisdom on polling is that the key to accurately forecasting elections is getting the demographics right: if you predict who will vote, by race, gender, and age, you can pretty accurately profile who they will vote for. Yet despite PPP's status as one of the icons of this brave new era of polling, its record in the 2012 Brown-Warren race - a race in which its topline results ended up on the mark - suggests that it was actually better at modeling the electorate by party ID and ideology than by race, gender or age, that its assumptions about the demographics of the electorate changed a good deal from month to month, and that within each demographic group its reported results were often highly unstable.
Given the difficulty of accurately projecting turnout in special elections, even the polling averages have to be taken with some grain of salt in the best of times, but polling in the age of Obama is ever more art than science.
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May 3, 2013
BASEBALL: Wright Zone Judgment
David Wright is back, or rather he's still back. Wright, who batted .311/.394/.534 (OPS+ 141) from 2005-08 (age 22-25), slumped to .284/.364/.463 (OPS+ 124) from 2009-11, the first three years in the new Citi Field in what should have been his prime hitting age, 26-28. But over the 2012-13 seasons so far, he's hitting .307/.396/.497 (OPS+ 146), reclaiming his status as an elite player.
A major factor in both turnarounds has been Wright's strikeout rate. From 2005-08, Wright averaged walks in 11.8% of his plate appearances, strikeouts in 16.6%. From 2009-11, the walk rate slumped slightly to 11.2%, but the K rate ballooned to 22.9%. Strikeouts are not much worse than any other out, but when a player suddenly starts striking out a lot more, that's usually a bad sign. Since the start of 2012, however, Wright is back to a BB/K rate of 12.8% walks, 16.5% strikeouts.
When you break it out by month, it's hard to avoid the conclusion that Wright was particularly badly affected by his August 15, 2009 beaning, which caused him to miss the rest of that month; while his K rate was already up in April-May 2009 (14.6% BB, 24.9% K, mostly due to adjusting to an unfriendly new home park - 11.2% BB, 31.2% K in home games those two months, 18.3% BB, 18.3% K in road games), he'd been whittling it down the rest of that season (12.0% BB, 18.3% K in June-August 2009), before being beaned by Matt Cain. From his return in September 2009 through May 2010, Wright averaged an unsightly 8.7% BB and 25.1% K rate. It took a while to gradually get that back to a more normal (for him) ratio.
Last season, Wright started with great progress in cutting his strikeouts, but they spiked in July. Combined with a September spike in 2011, that suggests that, as Wright gets older, he may be prone to getting his swing out of whack as fatigue and injuries set in (although recall that last year he was hitting with a broken finger in April). So, it's possible that this year's low strikeout rate will drift a bit as the year goes on. But on the whole, the pattern over Wright's career is that keeping his strikeouts under control is key to his productivity. Here's the monthly breakdown over his career:
I put the month-by-month graph below the fold because it's very wide.
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